Spanish Target Commercial 2010

Film Cipher / Glass

This showcase of designer Damjan Stanković this spectacular glass shows that "discover" the name of the liquid that you serve. It is an intricate pattern of tiny pixels of color and empty spaces that filled with colored liquid reveal the name of what you serve it. Cool. Do not miss the rest of the portfolio

More info at: Relogik

Best Pose Kate's Playground

Pixels us transform the Peru / Video

Initiative and project design: Baltazar Caravedo Molinari - Writer / Director: Bacha Caravedo. - General Production: Carolina Denegri .- Research: Carolina Denegri, Willy Caravedo Ilizarbe and Bacha.





Director of Photography and Camera: Beto Gutierrez - Fergar Chavez - Gianmarco Ahonen - Omar Quezada. Drawings: Juan Carlos Semino. Caricatures: Carlos Tovar "Carlin" - Alfredo Marcos. Photo Archives: Eloy Neira, Veronica Perez, Carolina Denegri. File EPENSA, REPUBLIC File, File TRADE, File PROMPERÚ Edition: Beto Barzola Music: Pauchi Sasaki. Mixing Audio: Armando Elias El Gato Voiceover: Male Caravedo Bacha Machine: Rodrigo Velázquez Lugones. Assistant Director: Jorge Luque - Gonzalo Ladines Assistants: Oscar Peralta, Frank Irribarren, Edgar Febres, Johny Degrees, Pedro Rivas Post Production: Atomic Fusion Post Production Sound: Sounds Trainer Equipment: Camera Pro Studio: Emergency Audiovisual Archives in


Video: Excerpts from the documentary The Fall of Fujimori by Ellen Perry. falloffujimori.com / - Excerpt from El Especial del Humor. Sketch: Choledo and Ilian. Source: Frecuencia Latina - Pictures of Bagua. Fuente: ATV - Excerpt from Magaly TV. Conductor: Magaly Medina. Source: ATV - Extract of Commercial No more. Agency: Leo Burnett Peru. Company: Film 70. - Extract from the Commercial Agency Decisions: Circus. Company: Kchina Films. - Extract video game Crazy Combi. Application developed by inventarte.net - Excerpt from Laura in America. Conductor: Laura Bozzo. Source: American TV



Photo: Alejandro Toledo Source: Life Magazine. Photo: Colas. Source: Seeking Chamba-blogs.elcomercio.com.pe by Marco Lopez. Article: The queues to apply for a paper published April 1, 2008. Photo: Urban and altarpiece in July .. Source: Magaly del Solar. Promperú. Photo: Fishing craft by redes.Fuente: Kalipedia, a product of Peru and Prisa Santillana Issue: Education Information Entretenimiento.Fotografía: Mariners caballoFuente: trotamillas.es. Author: Arleco. Article: Horse step, a spectacle unmatched Photo: Baile de la Selva typical PeruanaFuente: Publication of Arturo Zavala on flickr.com Photo: Carnival Source: peru.travelguia.net-Portal Travel-Peru. Article: Carnival of Ayacucho, creativity Andes. Photo: Economic growth. Source: mercadoenergia.com - Article: Destination Peru is growing 7% over the next 15 years, says Minister of Economy of 24 August 2008. Source: AND.Fotografía: Cebiche Author: Carmen Ravago. Photo: Q Source: weblogs.clarin.com / - Article: Who is Lipovetsky?. Posted by Manuel Sbdar on May 18, 2007. Image: Cienciano sports Source: depor.pe / Home published on August 21, 2009.




Thanks: Susana Ilizarbe, Guillermo Vasquez, Delia Sanchez, Luis Agois, Mariella Herrera, Silvana Alarcón, Rómulo Franco, Patricia Ruiz Bravo. Victor Villavicencio, Daniel Torrealba, Wawina Arriagada, Czech Fátima García, Ignacio Arriagada, Charo Lino, Ricardo Fortes, Beto Gutierrez, Silvia Kamisato, Paola Argüelles, Roxana Cavero, Maribel Toledo-Ocampo, Juan Carlos Gomez de la Torre, Carlos Pardo, Daniel Higashionna , Gabriel Quijano, Giovana Condori. Alessandra Leverone, Ricardo Maldonado and all those who directly or indirectly, have made this video.



Inspired Video: "We Mexicans"

Via: Luizhit

Pinguecula Will It Go Away On Its Own

What is that? / Dedicated to my daughter.

saw this video and get excited, I hope to be like this father so patient with your child and hope that my daughter does not have to learn this lesson, shapes as well not have to explain it, I hope so much of it, I suppose like every father hopes for their children.

enmedar hope my mistakes with my princess (because that will).

I Love You BETHLEHEM.

How Fast Does The Api Fungus Cure Work

Do you have to be like the rest?

created for Pantene Commercial

which speaks of the speaker himself passion for the art, difficulties to overcome in this way, the life we \u200b\u200bchoose ...

Get Rid Of Pityriosis Rosea Scars

Competition

competition of good health

Forced To Be Barefoot

(DES) COVERED LIMEÑA - humpback Cochina Mazamorra Lima Lima uncovered

17 and January 18, 2010 ...

Quilca Street and the underworld ...

From 12m up to you drop !!...

A memorial to Lima for our anniversary, not only in the face of Lima known to us but to those other faces that for years have been covered.
A gift to our city, made by individuals and groups who are always giving him our work.
A celebration to embrace it, dream it, sing, claim ...
Two days of running (and ticket) to hang out in his honor, without waiting for the next day to sobarle the hump!

Dare to uncover!




1. ENTRY: CHANFAINITA
... and playing ...

Place: Street Quilca
Day: Sunday 17
Form: It calls on all groups that want to show their art. With which they arrive is organized sequence and are presented, in parallel, overlapping, offering a variety of shows to passersby. Necessary equipment are taken to the streets. Improvised scenes. People interact.


12m - PINTO CON-TENT: Assistance in the front of the underworld and all the facades of Quilca (let us intervene)

- Murals
-
Graffiti - Stencil
- Tizado
- Serigraph street (bring your pole blank!)

4pm - WE'RE ON THE STREET: Presentations, Interactions of urban street art

- Bikers, Skaters, Rollers
- Rap, Hip Hop, Break dance
-
Street Theatre - Juggling
traffic light - asphalt Poets
- Buskers
- Football securities (pichanguita on the track)


8pm - DES ACTION -TAPE: Tito CalaTito and the (Un) covered Limenas, by Tito Meza, Jimmy Baltazar and girls CITI ... to steal public to serenade the 17!



24:00 - VIGIL QUILQUEÑA: Be - Singing - Dancing - Reciting - Read - Shooting - Walking - Take - Dining - etc etc .... all night!






2. Main course: SEVEN COLORS
... talking with his mouth full ...

Location: The Underworld (except Psje ancestral ritual. Sta Rosa)
Day: Monday, 18
Form: We present a general order by 7 segments, within which the participants are exhibiting in the order they want but with a maximum of 15 minutes to their subject (ideally to be between 5 and 10 minutes), and you want something very light, with an overview of all proposals that exist and are very diverse. (NOTE: These are all that could talk about something, not all are confirmed yet so far).




10am - ANCIENT RITUAL: A TRIBUTE TO Taulichusco with panaca Lima and Pachacamac group, live music ceremonial stone Taulichusco, Sta passage Rosa.


12m - PRESENTATION OF GROUPS AND COLLECTIVE:

- Without Lima Citi: Citi Transdisciplinar City (Lisset Escudero)
- Lima in Short: 5min5 (Ephraim Aguero)
- Emerging Art in Lima: CHOLO (Marcelo Zevallos / Julia Salinas)
- Audiovisuals in Lima, Peru Spokesman (Walter Canchaya)
- Ancestral Lima: Grupo Pachacamac (Giovanna Ramos)
- The hills of Lima whisper colors: The Great March of the Muñecones (Jorge Rodriguez / Patty Beltran)
- Lima as a canvas / The walls of Lima: Marypussy Crew (Carolina Dreyffus - Mishap)
- Lima on / Lima, Art and Politics: The Collective (Oscar Salvatierra)
- Lima City and memory of this: The Cardboard (Jose Luis Casanova / Carla Poma)
- Art takes to the streets of Lima: Collective ArtedeCalle (Jorge Polar)



3pm - PAPERS:


- Lima as Myth and Urban Legends Architecture of the city. Urban Regeneration Project area Quilca / Camaná / Rufino Torrico (Javier Vera)
- Lima is Death: People's Cemetery in Lima. Research thesis in urban planning (Jimmy Baltazar)
- Extreme Lima: Peru Skateparks, spaces of social inclusion and integration. Projects Reflections and extreme sports parks (Eleazar Pictures)
- Lima Scatter: Parallels between the current Lima and Hispanic. Urban Research Thesis (Jerry Ccanto)
- Lima Ambulante: temporary occupations of public spaces in downtown Lima. Thesis Research in Urbanism (Gonzalo Diaz)
- The Lima Roof: Architectural Intervention Project rooftop of the center of Lima Mansions (Carmen Avila)


5pm - INTERMEDIATE AUDIOVISUAL

- Short, Part 1: 5min5 - Ephraim Aguero
- Short, Part 2: CineFaua - Gonzalo Díaz & Javier Vera
- Electronic Poetry: The street is the Casa de la Cultura (Carlos Tapia)


5.30pm - FORUMS

- Lima amylose: A look at it as a strategy Electronic social change in our city (Carlos Tapia)
- Lima and its derivatives: Exit, watching and being watched. Historical review of artistic interventions in public space in Lima since the 70s (Christians Luna)
- Panaca Lima: Diffusion and cultural management in Lima rescuing our culture and identity (Gerson Paredes)



7pm - Keynote
.
- Lima Moderna: review of Evolution of Lima in the last 50 years (Adolfo Córdova)
- Peripheral Lima: Lima growth and evolution of the Lima slums in the twentieth century (Gustavo Riofrio)
- Lima color: Urban Interventions with mural painting graffiti and all that Lima walls can withstand (Elio Martuccelli)


9pm - PRESENTATION OF ACTIVITIES AND PROJECTS "LIMA to uncover"

- Lima Solidarity: Solidarity Forum of Culture in VES (Freddy the Cruz - Vichama)
- Lima is a Party: FITEC (Jorge Rodriguez - Community FITEC)
- Lima Rocker: Agustirock (Walter Canchaya)
- Lima Resists: The Hades

- LIMA500: Project to celebrate the 500 anniversary of Lima (Luis Rodriguez)





3. DESSERT: MAZAMORRA COCHINA
... his little detail ...

Location: out there
Days: Sunday 17 and Monday 18, unknown interval
Form: We invite vendors who sell food and desserts to shop around for the event. Courtesy of the organizers, shared a delicious plate of MAZAMORRA COCHINA each of the participants. And of course you must not forget, drinks hens!






4. DRINK: RONCITIO
... for FIN DE FIESTA! ...

Location: Calle Quilca

Day: Monday 18, from 10pm

Form: FIESTA - sip - ENTERTAINMENT AND MORE!




Donation: 1 spray or 1 / 8 of a gallon of paint at will in the hat last


Via: CITI

Pink Tinged Cervical Mucus And Pregnancy'

"uninhibited, flirty and, above all, half naked, Alvarado is portrayed himself in his drawings with the aim of capturing the essence a pin-up could walk down the streets of Lima. The continuation of the project Limeña Girl debtor including the work of Arequipa Alberto Vargas, who conquered the United States early twentieth century with its portrayal of American women " . Bruno


gallery invites you to the 2nd solo exhibition of the artist and illustrator Sheila Alvarado: "Open Limeña."

The curator will be responsible for María Elena Alvarado. The opening day will present the group "Jula" Laura Robles and Juan Ignacio Arbaugh. Toast of honor at 7.30pm

Sheila Alvarado (Lima, 1979)
http://www.ninaymedia.blogspot.com/


He specialized in printmaking at the Escuela Nacional de Bellas Artes He graduated with a silver medal in his class, took photography courses at the School of Art AC, won two consecutive second place Photo Contest Luis Felipe Cueto and first place in the International Art Competition Something Special, the 2004. He has participated in group shows on TV Master, Around the city, picking up stories, Challenging the video (in pairs with filmmaker Bigas Luna), Tangram, and Night of Art among many others, as well as exposure Rainbow Peru held in Madrid. It was part of the collective Extra Virgin and is one of the organizers of the exhibition and sale of art Desenfranquiciados. Alvarado is also deputy editor of the magazine Etiqueta Negra, has published books longhaired (Santillana Child, 2007) and Taking Tea (Altea, 2008). In 2008, he obtained his first solo exhibition in the gallery of the National Library of Peru, dedicated exclusively to your project Limeña Girl pin-up. Finally, in 2009, the Cream City Review magazine published a portfolio of their work and used one of your artwork as a cover.

Via: Walnut

Strep Spots On Palate

STRAW HOUSE in North London, Wigglesworth & Till

A house, which was thought to be a model of sustainable architecture, has caused anxiety among local authorities, associations of realtors and architects. The reason? Because it was built with materials that provide unprecedented values.

A time to reflect on the home-study that have been built a couple of architects Sarah Wigglesworth and Jeremy Till, we inevitably reminded of those years we shared with them by teaching projects in London. As if Sarah and Jeremy is they had ahead of her students the kind of house that was brewing, one remembers exactly how they talked to students about the need for more domestic value technology. They resulted in the school of architecture an interest in experimenting with those building materials that do not require energy input during their development and learning of traditional techniques to develop environmental sensitivities.

New data in the program The data
starting the project, a mix of housing and workplace that required two bedrooms, a lounge, a come dor, a library, a study to six architects, a kitchen and a bathroom; also considered the energy used in the construction and maintenance of the house.
Building Construction Eur opa means 50% of global raw material consumption and production of construction materials required n 22% of the total energy produced. Moreover, the construction of buildings is also responsible for 50% of the production of CO 2 both aggravated climate change. With these data in the table, Sarah and Jeremy felt compelled to find a model sustainable housing in urban rn ent, beginning bu scar technologies and materials that would reduce the environmental impact in terms of toxicity and energy consumption during production.
The chamber dry toilet compost, solar panels, a cool pantry with passive ventilation which was built following traditional techniques of Mali, or materials such as sandbags, concrete recycling and textile plants previously unknown in domestic construction, are examples of the importance given to recycling and energy saving. In addition, reusing old sleepers train was installed a condensing gas boiler, and two tanks of 3,000 liters you were expected to collect rainwater to fill the water tanks of the study and the meadow of wild flowers and strawberries planted on the deck.
The house also had the support of diverse materials, aware of the publicity that this project could represent. Now all they had to know the answer to the public, keeping hope that the use of this "as available technology" would cause environmental awareness of equal importance given to pragmatic issues such as not to have leaks.

9 / 10 Stock Orchard Street
The Straw Bale House is located in the district of Islington, at the end of an alley between a row of Victorian houses and a railway line. Determined by the characteristics of the location and orientation, adopted L-shaped building, with a study looking at the railroad tracks and housing perpendicular to them.
Even before entering the house, we became apparent sensitivity of the investigation that the architects had done. The gate is a juxtaposition of industrial and natural materials, willow branches woven into a galvanized steel frame. Gravel soil the porch is blended with the texture of the six gabions to support the study q ue are simply, these same structures with wire cages filled with stones as associated with the parapets of the rivers.
In the UK, before tax for the disposal of land, demolition materials and debris from n ew construction reached 30% of total collected waste in landfills and illegal dumps. This finding led the architects to verify that the work of a delivery truck recycled concrete is cheaper than transport to dump a load of earth. Hence
be incorporated in the proposed structures of gabions filled with recycled concrete fragments. Au nthat these boxes of wires could be structural and amply support the fish or study, the concern of the insurance company for the comportamient or wires in case of fire necessary to place concrete piers through the center of each gabion. Among the heads of the pillars and the base of study that have been placed support spring housing to dampen vibration from the trains, while providing a gentle swaying when strong winds.

Sandbags
Living beside a railway line also involves noise. In search of an efficient acoustic insulation for the façade parallel to the railway line, the architects turned their attention to an old photograph showing the window of a London coffee topped with sandbags to protect the German air raid. This powerful image was performed at the House of straw to cover the facade with bags stuffed with a mixture of sand, lime and cement, and are nailed to a wooden frame with staples stainless steel. Over time, the burlap bag will disintegrate, exposing the lime mortar to keep bag shape and texture of coarse fabric.
The facade facing the garden studio has a very different to the previous treatment, then tied with a padded fabric and buttoned the breezes kept in constant vibration. This original liner consisting of a glass fiber mat coated s ilicona is, in fact, commonly used on oil rigs in the North Sea. Sarah and Jeremy wanted for architectural use this technology robust and cost in a home, as if it were a quilt that can be replaced according to taste, to reflect the strong relationship between workplace and home.

straw bales
Another inquiry was developed by the architects to use straw bales as insulation material for wrapping the north side and the block of rooms. The benefits of this material are numerous: The bales are recyclable, dense, easy to raise, economic, low stored energy in its production, in addition to having excellent heat insulation qualities. In just three and a half days, a group of friends with no experience in building Sarah Wigglesworth helped put the 550 bales of straw c handle. While Sarah
found that bales could be used structurally, the Ecological Building Society warned not grant them any financial aid to be used as load bearing wall, and have never been conducted in the UK research on the behavior of this material under conditions of high humidity. On the other hand, the use of bales is approved by regulations in the United States and backed by a history as a building material in Germany.
The architects were forced to repeatedly modify the project is still being assured of its validity z. The ultimate reason for which building regulations do not provide certain skills and behaviors of unpublished materials is due to ignorance, the same ignorance also played down the property value Straw House. Even with all the home-study Sarah and Jeremy has been a breakthrough in the UK by being the first house of straw to comply with regulatory requirements and obtaining planning permission. In the two years that have elapsed since its construction, the house of straw and has received numerous architectural awards, appeared on television and radio programs, published in newspapers and magazines, and also ore, tripled its market value .

Captions:
A. Sarah Wigglesworth and Jeremy Till, architect.
B. The facade of the railway line is built with concrete gabions recycling, sandbags, and reusing old sleepers in window frames.
C. First floor of the House of Straw (2001): 1. Alley, 2. Study 3. Gabion Projection, 4. Exterior sacks, 5. Padded front, 6. Straw Wall, 7. Be, 8. Kitchen with icebox, 9. Bedroom, 10. Library-tower, 11. Dining, 12. Railroad.
D + E. From the dining room table is also the meeting of the study, is part of the passing train.
F. The library tower as causes fresh air ventilation.
Photography: Paul Smoothy

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