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the Kunsthaus in Graz by Peter Cook in


Of all the buildings that surround us in the city are counted those who draw our attention and literally meet our gaze.

L a new Kunsthaus in Graz is an art museum that communicates with passers-by through the facade, waiting for their responses. Their architects, the British Peter Cook and Colin Fournier, the project to propagate the work of artists co ntemporáneos and be, in itself, a point of meeting to listen, respond and share ideas. His image as a new symbol of Graz : a fluffy blue volume floating on a historic building city's illustrious Austrian Dad, who was the European Capital of Culture during the past year, besides being in September 2000, the first "City of Human Rights declared in Europe.

The city of Graz
As the second largest city, with a population of 270,000 and high reputation in scientific research, Graz has stood historically open to the nine as ideas and has been brave to juxtapose old and modern buildings in its urban layout.
However, there has always been a balance in their social structure. The modern history of Austria on its incorporation into Nazi Germany in 1938 and, more recently, the resurgence of the xen ófobos during the nineties. Social equilibrium is a policy objective of society Dad contemporary of Graz, which was already explicit commitment to apply to be proclaimed "City of Derec hos Human." With this appointment the city invoked the flow of information, freedom of opinion and a better relationship with immigrants. For this, the Graz City Council has launched several inic iativas, for example, organizing training in human rights for local officials or, in schools, educate against racism.

The House of Art is
Also in 2000, and as part of preparation for Graz, European Capital of Culture ", organized an international competition to design the new Kunsthaus in a lot of the banks of the River Mur. Spacelab group, led by Cook and Fournier, won with a proposal that would take the traveler by surprise. Once constructed the building, there are still many who question if it is out of context and even if it is somewhat arrogant in front of the dense neighborhood. Despite this, and even admitting the powerful presence of their skylights, which appear as rashes on their skin blue, would precipitate to draw conclusions without further analysis deep.
View from the street, flying over the historic Kunsthaus Eiserner (1847), the first metal frame building built in Europe. He gently binds through an observation platform called "needle", which offers panoramic views of the city and its surrounding mountains. Compared with the historic building next door, which is perfectly rectangular walls and floor, one can not really relate to the Kunsthaus and building has a facade or a roof absolutely determined. It is rather a com skin placed by a thousand sheets of acrylic fiber, which is Gujer by sixteen jets to let in light and fresh air. These lu cernarios are also holes that frame specific views of the landscape and even from one of them, visitors can admire the picturesque clock tower, the emblem of the city.
Under the blue bubble is a simple triangulation of steel, coated with a film of the same material, which geometrizes double curvature, and, between them, a total of 925 40-watt fluorescent ring s. Each ring of light functions as a PIXE l as it is controlled by a computer system; a single mill that turns blue skin on the big screen, the size of the building, where you can play moving images and text.

Communicating with the city
Due to the international recognition that Peter Cook reached in the sixties as a member of the legendary group Archigram, authors of amazing architectural drawings pooled and Pop Culture belief in technology to create opportunities and alternatives to our way of life, not a few critics have been cataloging Kunsthaus as making the old dream of constructing a building from those drawings. Some have even said that this work belongs to the past century.
The Kunsthaus or "friendly alien" as the authors call it, goes beyond being merely an ironic gesture linked to a new symbol of Graz This book is offered as a meeting place for different voices to perceive in society. Artists and curators can communicate their beliefs, desires and emotions, to the city through the standard, and thus the whole building becomes an icon of contemporary communication. In this sense, the Kunsthaus reflects an attitude, a freedom of speech, which is the paramount consideration in the City Human Rights. "His elevation is not just a message but causing a dialogue with the city itself.
Apart from satisfying the functional requirements of any museum, this building gives the city a new form of communication that encourages radical groups to question their behavior: the facade rewritable ideas, different skylights targeting different points of view and flexibility of the building conforming themselves to the historic building next door. The Kunsthaus in Graz produces effects that may even change attitudes.

Captions:
1. Since the early sixties, Peter Cook (b. 1936) has always shaken culture the fantastic architectural drawings, like Traveling City, Town and City Plug Snapshot.
2. The Kunsthaus taken aback by the traveler's Baroque center of Graz
3. Ground floor of the Kunsthaus Graz (2003).
4. Blue skin of the Kunsthaus is a low resolution screen, but the size of the building, reproducing text and images in motion.
5. From the lobby, an escalator takes visitors on the museum's exhibition galleries, which occupy the top two floors.

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Korea Taipei 101 Tower Petronas Towers

The Taipei 101 has 101 floors above ground level (hence the name), and 5 below.

The skyscraper boasts the following brands:

• Height from floor to structural top: 502 meters (surpassed the mark previously wielded the Petronas Twin Towers with 452 meters).
• height from ground to roof: 448 meters (surpassed the mark previously held the Sears Tower with 443 meters). Height
• from the floor to the top floor occupied: 438 meters (surpassed the mark previously held the Sears Tower ).
• elevator speed: 16.83 meters / second.

brand could not overcome was the greatest height from the ground to the top (antenna), since this is still held by the Sears Tower , with 527 meters.

Note: CN Tower in Toronto (553-meter high) is excluded from these superlatives for not being a "living building" definition assigned to a structure with floors and walls along its height . The KVLY-TV antenna located near Mayville In North Dakota is even higher with its 629 meters, but is anchored with cables.

The roof of Taipei 101 was completed on July 1 of 2003 . In a ceremony presided by Mayor Ma Ying-jeou the apex was placed 17 October 2003 of , thus overcoming the height of the Petronas Towers for 50 meters.

Construction:

can withstand earthquakes of up to 7 degrees on the Richter scale and winds of over 450km / h. The significant absorption of this structure resides in a wind shock with plates 660 tons of metal that is installed on the floor 89, it is the largest and heaviest in the world. Is divided into 8 segments of 8 floors and is the only buffer that is visible to the general public. 8 supercolumnas

also attach it to the base, built of reinforced concrete and steel, embrace it to the floor 26 while other 32 columns up to the plant 62. The cuts at the corners diminish the force of wind and a complex web of steel forming a belt hugs him making a narrowing in the low the building and the plant reaches 34. A giant ball of steel, 680 tonnes is suspended from its upper part, residing on the floor 92 and mechanical counterbalances against vibration, absorbing energy and limiting the oscillations.

elevator manufactured by Toshiba has the world record in speed: just in 37 seconds would take 30 people from the fifth floor to floor 89, and that's not all, this lift also has a similar hermetic sealing system of a plane which will not disturb people's ears when he travels.

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Louvre

The Petronas Towers in Kuala Lumpur , capital of Malaysia were the world's tallest buildings from 1998 and 2003, surpassed the 17 October 2003 by the Taipei 101 building in Taiwan. These towers have a height of 452 meters . The towers with 88 floors of reinforced concrete and a cover made of steel and glass, have become the symbol of Kuala Lumpur and Malaysia. Latitude 3 ° 9'27 .19 "N Longitude 101 ° 42'42 .95" E.

were designed by Argentine architect Cesar Pelli and completed in 1998 . With 88-story, concrete structure mostly and glass evoke traditional motifs of Islamic art , honoring the legacy of Muslim Malaysia . Pelli Islamic geometric design used in the plant to bring together two squares, gradually decreasing in size above, is based on a very traditional motif in Islamic culture, a star of 12 peaks including a circle at each intersection. The construction of the towers began in 1994.

The basic structure was taken from an unrealized plan for a tower in Chicago .

involved in its construction workers from different nations who contributed their knowledge and work. In the construction of both towers was designed a strategy that allowed to accelerate the work. There were two teams, one composed of Korean workers and the other Japanese, one in charge of each tower, so there was great competition for the better and faster work.

The towers are joined by a double height air bridge between floors 41 and 42, forming a portal. The skybridge , as it is called, is the highest point accessible to visitors. Tours are free, but limited to 1,200 people daily.

Inside the towers are made up of offices, among which the oil company Petronas and Malaysia-based company Microsoft .

the foot of the tower is the Kuala Lumpur Convention Centre (KLCC) and the popular mall Suria kentuki .

Information towers [edit ]

• 32 000 78
• windows
• elevators total area of \u200b\u200b350,000 m²
• 88 floors

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Arabic billion euros [Jean Nouvel]. Atlantica Cancun


Under intense intellectual and critical perspective on art purists, the Museum Paris Louvre finalized the agreement to sell its exclusive franchise to Abu Dhabi, capital of the UAE.

The news was confirmed today by the French Culture Minister Christine Albanel, who said his country will be one billion euros in the course of 30 years, a sum to be allocated to museums.

-who contribute to the development of the Louvre in Abu Dhabi with the construction loan will have economic benefits, but much of the money will go to construction in the outskirts of Paris a research, restoration and training, "he said.

Albanel told a group of correspondents, following a press conference the head of state, Nicolas Sarkozy, there are many ideas around the building to be constructed with such funds in the suburbs of Paris.

store will also be a work of art from the Louvre's own funds, the Orsay, Decorative Arts and Fine Arts, said.

The controversial Louvre in Abu Dhabi had the design of French architect Jean Nouvel, will rise at a cost of 83 million euros in an area of \u200b\u200b24 thousand square meters, where work eight thousand rooms.

already advanced in concept, the new museum should be completed within a period of five or six years. The formalization of the agreement does not mean the end a long controversy.

Paris joins the trend set by the Guggenheim in New York, which sold the franchise to the same Arab country. However, controversy remains here.

El-Louvre Abu Dhabi will be devoted mainly to Western art, whose works will be provided by French museums.

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Located on Kukulcan Boulevard, in the area where the most narrow strip of land between sea and lagoon, is the Joint Atlantic departments, over an area of \u200b\u200babout 50000 m2, 270 apartments, divided in two towers, Aqua and Vento , have a prime location overlooking the Caribbean Sea and Laguna Nichupte.

Description of the project.

Atántica born in the ocean and opens onto the surface as a unique place in Cancun. Its two towers, Aqua and Vento, meet the ultimate in luxury and comfort like no other residential development in Mexico, with spacious apartments and a wooden deck can enjoy the beauty near the sea.

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CLOUD d'Yverdon-les-Bains, in Diller + Scofidio

Start today published pink clouds, a series of articles which show architectures have emerged to make a compromise between contemporary culture and the environment.

The discipline of architecture is now more uncertain than ever. This due to the continuous incorporation of new social engagements, cultural and environmental issues and, therefore, that there is always a suspicious d and those who categorically discriminate what is what is not architecture. Again, are the fears and insecurities of the unknown that can bind us to the realities and lived but give back to new situations. For example, concerns about environmental degradation and scarcity of natural resources is a new framework where energy has to be valued as raw material when designing architecture.
pink clouds is a collection of writings that describe those architectures experimental blur the boundaries between natural and artificial. The notion of recycling, new forms and effects arising from the use new materials, architectural or certain actions that have saved the felling of trees, all of which are lines of research projects that bring together thought and feeling, and that, consequently, call into question the widespread belief that in every culture, these two concepts are interdependent.
While the name of this series was coined as a weapon by those who distrust interdisciplinary character that has the architecture has been adopted here because it connotes beauty and as a way to reclaim the immense value of such work research to raise questions about preconceived ideas. Who can forget the "architecture Paper "three decades ago? So called a critical sector architectural proposals, then, could not be built and that, however, over time they have broken new ground and have even come to build gradually. Projects analyzed in pink clouds are already built works d and among them, no doubt, no better example to start the series with a building that is itself a cloud: Cloud artificial marriage of architects Elizabeth Diller and Ricardo Scofidio.

ecstatic "Imagine a building made of mist floating on a lake. Is the size of a football field, meets all building regulations, and is both a conceptual investigation of the idea of \u200b\u200btransparency and the built environment. A building where you can enter, walk and breathe. "Thus introduced the New York architectural firm Diller + Scofidio their project for the assistance of the Swiss Expo 2002 in d'Yverdon-les-Bains, north Geneva . Under the name of "ecstatic", Elizabeth Diller and Ricardo Scofidio were a team with artists and architects in Rotterdam, Zurich and Bern to organize the complex, a successful partnership which won in the contest.
The basic idea exposure was link the concepts of "I and the universe, sensuality and sexuality through the power of the senses. The site was divided into eight parts, each with a specific name: The first area, called "hot neighborhood. Arrive in Yverdon-les-Bai ns ," he continued suggestive designations such as "Perfume and seduction. Expopark" "Pats uncertain. Mediacut, objects in the park", "Labyrinth of emotions. Nube", "Fusion of the senses. Forum and Exhibition", "Plenty," "Fallen into the trap. At the edge of the lake", and finally "Pier with infinity on the lake." In all the issues raised were the approach, seduction, contact, panic of the senses and, above all, the lure of the unknown.

Diller and Scofidio

worked in the "labyrinth of emotions. Nube" and projected a building on Lake Neuchâtel, a proposal that has become the centerpiece of the exhibition. It consists of a platform that can accommodate 400 visitors and is suspended from a metal structure 100 meters long, 65 meters wide and 25 tall. The entire assembly is immersed in an artificial fog is achieved by spraying tiny droplets of water pumped from the lake. 31,400 nozzles are connected by a system of high pressure pipeline is 24 kilometers long which sprayed countless drops of a diameter between 4 and 10 micron water particles so tiny that most of them remain suspended in the air.

A series of experiments that took into account the speed and wind direction, temperature, pressure, humidity and dew point temperature, were used to determine the sufficient number of nozzles needed to saturate the air with the same effect as a cloud. A computer system adjusts the intensity of the spray according to weather conditions and ensures that the fog is always visible. With strong winds, the building expands and forms a long trail of fog, with fresh air, the dispersion is smooth, and depending on the temperature of the air, the mist rises or falls.

Angel Bar

Crossing the long bridge that leads over the lake, the visitor is losing direction as optical references gradually disappear in an absolutely blank. Within the cloud everything is hazy, no objects, no depth, no scale, no volume, no mass, no surface, without context or contrast. The notion of time is reduced down to zero.
On the great platform of the building, visitors will find the Angel bar, a place to rest and where only water is served. There you can choose from a wide selection of bottled water from all over the world and includes a special selection of glaciers and the poles. From the bar, the experience is like being in a plane above the clouds and enjoy the view of the sky, a feeling of emptiness that is interpreted to the limit.

Technology and emotions

The project also provided that before entering the building, visitors had to answer a form whose responses were recorded in the central computer of the building. These responses will provide information on the psychological state of the person, his personality and predilections. Then, one dressed in a raincoat, in fact, is a smart raincoat that has been programmed with the responses of all visitors. The special effect that makes these raincoats is the exchange of information between visitors spontaneously. So you can spend your raincoat start to blush to recognize similar passions and interests when you cross paths with a stranger.
Although our culture has ingrained modes of behavior and we have educated our form of expression according to certain rules, in this building Cloud, technology allows man to express his feelings as they really are.
We are obsessed with the perception of sight and trapped by the image quality to the point of considering the fuzziness as something that makes us doubt and skepticism. One might generalize by saying that a blurred image hiding something and creates imbalance. However, Diller and Scofidio questioned this belief. Mist in your building gives people a freedom of expression and reveals the clear image of the other we are always looking. Warm with smart raincoats, visitors externalize their feelings, regardless of physical gender, or nationality. What began as an investigation into a feature of the site, the lake, led to the use of water as a building material that enables architects to establish an environment of honest communication.

Captions:
1. Elizabeth Diller (1954) and Ricardo Scofidio (1935), architects.
2. With strong winds, the building expands and forms a long trail of mist, with fresh air, the dispersion is smooth, and depending on the temperature of the air, the mist rises or falls.
3. The structure is based on the tensegrity system developed by Buckminster Fuller, a contraction of two ideas: "tensional integrity. The structural shape is guaranteed by the tension between its component parts and operate at maximum efficiency and economy.
4. Within the cloud everything is hazy, no objects, no depth, no scale, no volume, no mass, no surface, without context or contrast.
5. In the cloud, water is a building material that serves evening projection screen.

PHOTOGRAPHS: OFFICE ARCHITECTURE Diller + Scofidio