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CLOUD d'Yverdon-les-Bains, in Diller + Scofidio

Start today published pink clouds, a series of articles which show architectures have emerged to make a compromise between contemporary culture and the environment.

The discipline of architecture is now more uncertain than ever. This due to the continuous incorporation of new social engagements, cultural and environmental issues and, therefore, that there is always a suspicious d and those who categorically discriminate what is what is not architecture. Again, are the fears and insecurities of the unknown that can bind us to the realities and lived but give back to new situations. For example, concerns about environmental degradation and scarcity of natural resources is a new framework where energy has to be valued as raw material when designing architecture.
pink clouds is a collection of writings that describe those architectures experimental blur the boundaries between natural and artificial. The notion of recycling, new forms and effects arising from the use new materials, architectural or certain actions that have saved the felling of trees, all of which are lines of research projects that bring together thought and feeling, and that, consequently, call into question the widespread belief that in every culture, these two concepts are interdependent.
While the name of this series was coined as a weapon by those who distrust interdisciplinary character that has the architecture has been adopted here because it connotes beauty and as a way to reclaim the immense value of such work research to raise questions about preconceived ideas. Who can forget the "architecture Paper "three decades ago? So called a critical sector architectural proposals, then, could not be built and that, however, over time they have broken new ground and have even come to build gradually. Projects analyzed in pink clouds are already built works d and among them, no doubt, no better example to start the series with a building that is itself a cloud: Cloud artificial marriage of architects Elizabeth Diller and Ricardo Scofidio.

ecstatic "Imagine a building made of mist floating on a lake. Is the size of a football field, meets all building regulations, and is both a conceptual investigation of the idea of \u200b\u200btransparency and the built environment. A building where you can enter, walk and breathe. "Thus introduced the New York architectural firm Diller + Scofidio their project for the assistance of the Swiss Expo 2002 in d'Yverdon-les-Bains, north Geneva . Under the name of "ecstatic", Elizabeth Diller and Ricardo Scofidio were a team with artists and architects in Rotterdam, Zurich and Bern to organize the complex, a successful partnership which won in the contest.
The basic idea exposure was link the concepts of "I and the universe, sensuality and sexuality through the power of the senses. The site was divided into eight parts, each with a specific name: The first area, called "hot neighborhood. Arrive in Yverdon-les-Bai ns ," he continued suggestive designations such as "Perfume and seduction. Expopark" "Pats uncertain. Mediacut, objects in the park", "Labyrinth of emotions. Nube", "Fusion of the senses. Forum and Exhibition", "Plenty," "Fallen into the trap. At the edge of the lake", and finally "Pier with infinity on the lake." In all the issues raised were the approach, seduction, contact, panic of the senses and, above all, the lure of the unknown.

Diller and Scofidio

worked in the "labyrinth of emotions. Nube" and projected a building on Lake Neuchâtel, a proposal that has become the centerpiece of the exhibition. It consists of a platform that can accommodate 400 visitors and is suspended from a metal structure 100 meters long, 65 meters wide and 25 tall. The entire assembly is immersed in an artificial fog is achieved by spraying tiny droplets of water pumped from the lake. 31,400 nozzles are connected by a system of high pressure pipeline is 24 kilometers long which sprayed countless drops of a diameter between 4 and 10 micron water particles so tiny that most of them remain suspended in the air.

A series of experiments that took into account the speed and wind direction, temperature, pressure, humidity and dew point temperature, were used to determine the sufficient number of nozzles needed to saturate the air with the same effect as a cloud. A computer system adjusts the intensity of the spray according to weather conditions and ensures that the fog is always visible. With strong winds, the building expands and forms a long trail of fog, with fresh air, the dispersion is smooth, and depending on the temperature of the air, the mist rises or falls.

Angel Bar

Crossing the long bridge that leads over the lake, the visitor is losing direction as optical references gradually disappear in an absolutely blank. Within the cloud everything is hazy, no objects, no depth, no scale, no volume, no mass, no surface, without context or contrast. The notion of time is reduced down to zero.
On the great platform of the building, visitors will find the Angel bar, a place to rest and where only water is served. There you can choose from a wide selection of bottled water from all over the world and includes a special selection of glaciers and the poles. From the bar, the experience is like being in a plane above the clouds and enjoy the view of the sky, a feeling of emptiness that is interpreted to the limit.

Technology and emotions

The project also provided that before entering the building, visitors had to answer a form whose responses were recorded in the central computer of the building. These responses will provide information on the psychological state of the person, his personality and predilections. Then, one dressed in a raincoat, in fact, is a smart raincoat that has been programmed with the responses of all visitors. The special effect that makes these raincoats is the exchange of information between visitors spontaneously. So you can spend your raincoat start to blush to recognize similar passions and interests when you cross paths with a stranger.
Although our culture has ingrained modes of behavior and we have educated our form of expression according to certain rules, in this building Cloud, technology allows man to express his feelings as they really are.
We are obsessed with the perception of sight and trapped by the image quality to the point of considering the fuzziness as something that makes us doubt and skepticism. One might generalize by saying that a blurred image hiding something and creates imbalance. However, Diller and Scofidio questioned this belief. Mist in your building gives people a freedom of expression and reveals the clear image of the other we are always looking. Warm with smart raincoats, visitors externalize their feelings, regardless of physical gender, or nationality. What began as an investigation into a feature of the site, the lake, led to the use of water as a building material that enables architects to establish an environment of honest communication.

Captions:
1. Elizabeth Diller (1954) and Ricardo Scofidio (1935), architects.
2. With strong winds, the building expands and forms a long trail of mist, with fresh air, the dispersion is smooth, and depending on the temperature of the air, the mist rises or falls.
3. The structure is based on the tensegrity system developed by Buckminster Fuller, a contraction of two ideas: "tensional integrity. The structural shape is guaranteed by the tension between its component parts and operate at maximum efficiency and economy.
4. Within the cloud everything is hazy, no objects, no depth, no scale, no volume, no mass, no surface, without context or contrast.
5. In the cloud, water is a building material that serves evening projection screen.

PHOTOGRAPHS: OFFICE ARCHITECTURE Diller + Scofidio